Calling It In: How your Earphones Disclose As regards Your Taste

16/04/13 3:33 PM

These days, this indicates everyone walking the streets listening to tunes on their earpieces, what music? We do not recognize. We presume we know. Is a punk rocker at the rear of a bus secretly jamming to Britney Spears? Or is the tracksuit-bottomed, highlight-headed girl expecting her friends really moshing out with Black Flag? The pinstripe power suit in the train might be an enormous Public Enemy fan or the area ASBO might be a jazz fan with a affection for Coltrane’s sax playing.


Those that don’t dress in any music-themed clothing style can stay safely indistinctive on the planet at large as music consumers. Or can they? Here are two brand names and what they say about you:


Skullcandy are a new-ish brand (founded 2003) and aimed directly at the postpunk/goth/emo/whatever crowd. The clue is now in the label and the child-friendly Stencilled graphitti skull logo. Designed to go together with bullet belts, Atticus shirts and thin fit jeans, (the final relics of genuine subculture now comfortably removed and changed by mere consumption of image and product in one. Punk’s preliminary impression, i.e, the flaunting of poverty has been overtaken by a generation primed to use ready-ripped jeans and spraypaint-effect shirts, I, uh, mean whatever, man). Skullcandy earphones are available in a range of garish colours, as well for a stark black and white for maximum appeal. Particular the markup in price, it appears highly unlikely that a customer would purchase these headphones unless it was to make a statement in regards to the music itself. This person (even when they are an eighty year old lady) is far more likely to be listening to My Chemical Romance than they are Mozart.


Sennheiser headsets, distinctive by their smaller, specialized design tend to be more the domain of that audiophile, the music nut and also the gadget freak. This person, though they could be attired in parallel manner to the Skullcandy kid, is far more likely being playing Charles Mingus, a vintage Delta Blues or folk piece, appreciating it the best way one might a exceptional wine, in addition to all clever cultural nuances therein. This one is serious about music, and his/her scorn for bands of the minute may be equally serious. Expect a lecture at any second on the genius of Belgian techno or some obscure Japanese arse-band (NOTE: arse-music is not a genuine genre…yet)


So, the peripherals we use in the 21st century say as much about us as our record collections might. Even when we do not want them to? That definitely seems being possible, anyway. Next: Why are we iPod users so bloody smug?

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